Immanuel Kant, The Critique of Judgement [1892]
   Immanuel Kant, Kant’s Critique of Judgement, translated with Introduction and Notes by J.H. Bernard (2nd ed. revised) (London: Macmillan, 1914). http://oll.libertyfund.org/titles/1217
     * III.: OF THE CRITIQUE OF JUDGEMENT AS A MEANS OF COMBINING THE TWO PARTS OF PHILOSOPHY INTO A WHOLE.
     * PART I: CRITIQUE OF THE AESTHETICAL JUDGEMENT
     * PART II: CRITIQUE OF THE TELEOLOGICAL JUDGEMENT
   KANT’S CRITIQUE OF JUDGEMENT
   KANT’S CRITIQUE OF JUDGEMENT
          + III. Of the Critique of Judgement as a means of combining the two parts of Philosophy into a whole . . 14
     * First Part.—Critique of the Aesthetical Judgement 43
     * Second Part.—Critique of the Teleological Judgement 257
   “Above all,” said Schopenhauer, “my truth-seeking young friends, beware of letting our professors tell you Edition: current; Page: [xii] what is contained in the Critique of the Pure Reason”; and the advice has not become less wholesome with the lapse of years. The fact, however, that many persons have not sufficient familiarity with German to enable them to study German Philosophy in the original with ease, makes translations an educational necessity; and this translation of Kant’s Critique of the faculty of Judgement has been undertaken in the hope that it may promote a more general study of that masterpiece. If any reader wishes to follow Schopenhauer’s advice, he has only to omit the whole of this prefatory matter and proceed at once to the Author’s laborious Introduction.
   It is somewhat surprising that the Critique of Judgement has never yet been made accessible to the English reader. Dr. Watson has indeed translated a few selected passages, so also has Dr. Caird in his valuable account of the Kantian philosophy, and I have found their renderings of considerable service; but the space devoted by both writers to the Critique of Judgement is very small in comparison with that given to the Critiques of Pure and Practical Reason. And yet the work is not an unimportant one. Kant himself regarded it as the coping-stone of his critical edifice; it even formed the point of departure for his successors, Fichte, Schelling and Hegel, in the construction of their respective systems. Possibly the reason of its comparative neglect lies in its repulsive style. Kant was never careful of style, and in his later years he became Edition: current; Page: [xiii] more and more enthralled by those technicalities and refined distinctions which deter so many from the
   while performing my task, but I have not found it of much service; the older French translations I have not seen. The existence of these French versions, when taken in connexion with the absence until very recently of any systematic account of the Critique of Judgement in English, may be perhaps explained by the lively interest that was taken on the Continent in the Philosophy of Art in the early part of the century; whereas scientific studies on this subject received little attention in England during the same period.
   The student of the Critique of Pure Reason will remember how closely, in his Transcendental Logic, Kant follows the lines of the ordinary logic of the schools. He finds his whole plan ready made for him, as it were; and he proceeds to work out the metaphysical principles which underlie the process of syllogistic reasoning. And as there are three propositions in every syllogism, he points out that, in correspondence with this triplicity, the higher faculties of the soul may be regarded as threefold. The Understanding or the faculty of concepts gives us our major premiss, as it supplies us in the first instance with a general notion. By means of the Judgement we see that a particular case comes under the general rule, and by the Reason we draw our conclusion. These, as three distinct movements Edition: current; Page: [xv] in the process of reasoning, are regarded by Kant as indicating three distinct faculties, with which the Analytic of Concepts, the Analytic of Principles, and the
   Dialectic are respectively concerned. The full significance of this important classification does not seem, however, to have occurred to Kant at the time, as we may see from the order in which he wrote his great books.1 The first problem which arrests the attention of all modern philosophers is, of course, the problem of knowledge, its conditions and its proper objects. And in the Critique of Pure Reason this is discussed, and the conclusion is reached that nature as phenomenon is the only object of which we can hope to acquire any exact knowledge. But it is apparent that there are other problems which merit consideration; a complete philosophy includes practice as well as theory; it has to do not only with logic, but with life. And thus the Critique of Practical Reason was written, in which is unfolded the doctrine of man’s freedom standing in sharp contrast with the necessity of natural law. Here, then, it seems at first sight as if we had covered the whole field of human
   But as we reflect on our mental states we find that here no proper account has been given of the phenomena of feeling, which play so large a part in experience. And this Kant saw before he had proceeded very far with the Critique of Practical Reason; and in consequence he adopted a threefold classification of the higher mental faculties based on that given by previous psychologists. Knowledge, feeling, desire, these are the three ultimate modes of consciousness, of which the second has not yet been described. And when we compare this with the former triple division which we took up from the Aristotelian logic, we see that the parallelism is significant. Understanding is par excellence the faculty of knowledge, and Reason the faculty of desire (these points are developed in Kant’s first two Critiques). And this suggests that the Judgement corresponds to the feeling of pleasure and pain; it occupies a position intermediate between Understanding and Reason, just as, roughly
   And so the Critique of Judgement completes the whole undertaking of criticism; its endeavour is to show that there are a priori principles at the basis of Judgement just as there are in the case of Understanding and of Reason; that these principles, like the principles of Reason, are not constitutive but only regulative of experience, i.e. that they do not teach us anything positive about the characteristics Edition: current; Page: [xvii] of objects, but only indicate the conditions under which we find it necessary to view them; and lastly, that we are thus furnished with an a priori philosophy of pleasure.
   But this purposiveness may be only formal and subjective, or real and objective. In some cases the purposiveness resides in the felt harmony and accordance of the form of the object with the cognitive faculties; in others the form of the object is judged to harmonise with the purpose in view in its existence. That is to say, in the one case we judge the form of the object to be purposive, as in the case of a flower, but could not explain any purpose served by it; in the other case we have a definite Edition: current; Page: [xviii] notion of what it is adapted for. In the former case the aesthetical Judgement is brought to bear, in the latter the teleological; and it thus appears that the Critique of Judgement has two main divisions; it treats first of the philosophy of Taste, the Beautiful and the Sublime in Nature; and secondly, of the Teleology of nature’s working. It is a curious literary parallel that St. Augustine hints (Confessions iv. 15) that he had written a book, De
   The analysis of the Sublime which follows that of the Beautiful is interesting and profound; indeed Schopenhauer regarded it as the best part of the Critique of the Aesthetical Judgement. The general characteristics of our judgements about the Sublime are similar to those already laid down in the case of the Beautiful; but there are marked differences in the two cases. If the pleasure taken in beauty arises from a feeling of the purposiveness of the object in its relation to the subject, that in sublimity Edition: current; Page: [xxi] rather expresses a purposiveness of the subject in respect of the object. Nothing in nature is sublime; and the sublimity really resides in the mind and there alone. Indeed, as true Beauty is found, properly speaking, only in beauty of form, the idea of sublimity is excited rather by those objects which are formless and exhibit a violation of purpose.
   The main question with which the Critique of Judgement is concerned is, of course, the question as Edition: current; Page: [xxv] to the purposiveness, the Zweckmässigkeit, exhibited by nature. That nature appears to be full of purpose is mere matter of fact. It displays purposiveness in respect of our faculties of cognition, in those of its phenomena which we designate beautiful. And also in its organic products we observe methods of operation which we can only explain by describing them as processes in which means are used to accomplish certain ends, as processes that are purposive. In our observation of natural phenomena, as Kuno Fischer puts it, we judge their forms aesthetically, and their life teleologically.
   It is in this qualifying clause that Kant’s negative attitude in respect of Theism betrays itself. He regards it as a necessary assumption for the guidance of scientific investigation, no less than for the practical needs of morals; but he does not admit that we can claim for it objective validity. In the language of the Critique of Pure Reason, the Idea of God furnishes a regulative, not a constitutive principle of Reason; or as he prefers to put it in the present work, it is valid only for the reflective, not for the determinant Judgement. We are not justified, Kant maintains, in asserting dogmatically that God exists; there is only permitted to us the limited formula “We cannot otherwise conceive the purposiveness which must lie at the basis of our cognition of the internal possibility of many natural things, than by representing it and the world in general as Edition: current; Page: [xxxii] produced by an intelligent cause, i.e. a God” (p. 312).
   Kant, however, in the Critique of Judgement is sadly fettered by the chains that he himself had forged, and frequently chafes under the restraints they impose. He indicates more than once a point of view higher than that of the Critique of Pure Reason, from which the phenomena of life and mind may be contemplated. He had already hinted in that work that the supersensible substrate of the ego and the non-ego might be identical. “Both kinds of objects differ from each other, not internally, but only so far as the one appears external to the other; possibly what is at the basis of phenomenal matter as a thing in itself may not be so heterogeneous after all as we imagine.”1 This hypothesis which remains a bare undeveloped possibility in the earlier work is put forward as a positive doctrine in the Critique of Judgement. “There must,” says Kant, “be a ground Edition: current; Page: [xxxix] of the unity of the supersensible, which lies at the basis of nature, with that which
   He approaches the same doctrine by a different path in the Critique of the Teleological Judgement (§ 77), where he argues that the distinction between the mechanical and the teleological working of nature, upon which so much stress has been justly laid, depends for its validity upon the peculiar character of our Understanding. When we give what may be called a mechanical elucidation of any natural phenomenon, we begin with its parts, and from what we know of them we explain the whole. But in the case of certain objects, e.g. organised bodies, this cannot be done. In their case we can only account for the parts by a reference to the whole. Now, were it possible for us to perceive a Edition: current; Page: [xl] whole before its parts and derive the latter from the former,1 then an organism would be capable of being understood and would be an object of knowledge in the strictest sense. But our Understanding is not able to do this, and its inadequacy for such a task leads us to
   The text I have followed is, in the main, that printed by Hartenstein; but occasionally Rosenkranz preserves the better reading. All important variants between the First and Second Editions have been indicated at the foot of the page. A few notes have been added, which are enclosed in square brackets, to distinguish them from those which formed part of the original work. I have in general quoted Kant’s Introduction to Logic and Critique of Practical Reason in Dr. Abbott’s translations.
   More than twenty-one years have passed since the first edition of this Translation was published, and during that time much has been written, both in Germany and in England, on the subject of Kant’s Critique of Judgement. In particular, the German text has been critically determined by the labours of Professor Windelband, whose fine edition forms the fifth volume of Kant’s Collected Works as issued by the Royal Prussian Academy of Sciences (Berlin, 1908). It will be indispensable to future students. An excellent account of the significance, in the Kantian system, of the Urtheilskraft, by Mr. R. A. C. Macmillan, appeared in 1912; and Mr. J. C. Meredith has published recently an English edition of the Critique of Aesthetical Judgement, with notes and essays, dealing with the philosophy of art, which goes over the ground very fully.
   Some critics of my first edition took exception to Edition: current; Page: [xlvi] the clumsiness of the word “representation” as the equivalent of Vorstellung, but I have made no change in this respect, as it seems to me (and so far as I have observed to others who have worked on the Critique of Judgement), that it is necessary to preserve in English the relation between the noun Vorstellung and the verb vorstellen, if Kant’s reasoning is to be exhibited clearly. I have, however, abandoned the attempt to preserve the word Kritik in English, and have replaced it by Critique or criticism, throughout. The other changes that have been made are mere corrections or emendations of faulty or obscure renderings, with a few additional notes. I have left my original Introduction as it was written in 1892, without attempting any fresh examination of the problems that Kant set himself.
   We may call the faculty of cognition from principles a priori, pure Reason, and the inquiry into its possibility and bounds generally the Critique of pure Reason, although by this faculty we only understand Reason in its theoretical employment, as it appears under that name in the former work; without wishing to inquire into its faculty, as practical Reason, according to its special principles. That [Critique] goes merely into our faculty of knowing things a priori, and busies itself therefore only with the cognitive faculty to the exclusion of the feeling of pleasure and pain and the faculty of desire; and of the cognitive faculties it only concerns itself with Understanding, according to its principles a priori, to the exclusion of Judgement and Reason (as faculties alike belonging to theoretical cognition), because it is found in the sequel that no other cognitive faculty but the Understanding can furnish constitutive principles of cognition a priori. The Critique, then, which
   It was then properly the Understanding which has its special realm in the cognitive faculty, so far as it contains constitutive principles of cognition a priori, which by the Critique, comprehensively called the Critique of pure Reason, was to be placed in certain and sole possession1 against all other competitors. And so also to Reason, which contains constitutive principles a priori nowhere except simply in respect of the faculty of desire, should be assigned its place in the Critique of practical Reason.
   Whether now the Judgement, which in the order of our cognitive faculties forms a mediating link between Understanding and Reason, has also principles a priori for itself; whether these are constitutive or merely regulative (thus indicating no special realm); and whether they give a rule a priori to the feeling of pleasure and pain, as the mediating link between the cognitive faculty and the faculty of desire (just as the Understanding Edition: current; Page: [3] prescribes laws a priori to the first, Reason to the second); these are the questions with which the present Critique of Judgement is concerned.
   A Critique of pure Reason, i.e. of our faculty of judging a priori according to principles, would be incomplete, if the Judgement, which as a cognitive faculty also makes claim to such principles, were not treated as a particular part of it; although its principles in a system of pure Philosophy need form no particular part between the theoretical and the practical, but can be annexed when needful to one or both as occasion requires. For if such a system is one day to be completed under the general name of Metaphysic (which it is possible to achieve quite completely, and which is supremely important for the use of Reason in every reference), the soil for the edifice must be explored by Criticism as deep down as the foundation of the faculty of principles independent of experience, in order that it may sink in no part, for this would inevitably bring about the downfall of the whole.
   We can easily infer from the nature of the Judgement (whose right use is so necessarily and so universally requisite, that by the name of sound Understanding nothing else but this faculty is meant), that it must be attended with great difficulties to find a principle peculiar to it; (some such it must contain a priori in itself, for otherwise it would not be set apart by the commonest Criticism as a special cognitive faculty). This principle must not be derived a priori from concepts, for these belong to the Understanding, and Judgement is only concerned with their application. It must, therefore, furnish of itself a concept, through which, properly Edition: current; Page: [4] speaking, no thing is cognised, but which only serves as a rule, though not an objective one to which it can adapt its judgement; because for this latter another faculty of Judgement would be requisite, in order to be able to distinguish whether [any given case] is or is not the case for the rule.
   This perplexity about a principle (whether it is subjective or objective) presents itself mainly in those judgements that we call aesthetical, which concern the Beautiful and the Sublime of Nature or of Art. And, nevertheless, the critical investigation of a principle of Judgement in these is the most important part in a Critique of this faculty. For although they do not by themselves contribute to the knowledge of things, yet they belong to the cognitive faculty alone, and point to an immediate reference of this faculty to the feeling of pleasure or pain according to some principle a priori; without confusing this with what may be the determining ground of the faculty of desire, which has its principles a priori in concepts of Reason.— In the logical judging of nature, experience exhibits a conformity to law in things, to the understanding or to the explanation of which the general concept of the sensible does not attain; here the Judgement can only derive from itself a
   principle of the reference of the natural thing to the unknowable supersensible (a principle which it must only use from its own point of view for the cognition of nature). And so, though in this case such a principle a priori can and must be applied to the cognition of the beings of the world, and opens out at the same time prospects which are advantageous for the practical Reason, yet it has no immediate reference to the feeling of pleasure and pain. But Edition: current; Page: [5] this reference is precisely the puzzle in the principle of Judgement, which renders a special section for this faculty necessary in the Critique; since the logical judging according to concepts (from which an immediate inference can never be drawn to the feeling of pleasure and pain) along with their critical limitation, has at all events been capable of being appended to the theoretical part of Philosophy.
   Here then I end my whole critical undertaking. I shall proceed without delay to the doctrinal [part] in order to profit, as far as is possible, by the more favourable moments of my increasing years. It is obvious that in this [part] there will be no special section for the Judgement, because in respect of this Edition: current; Page: [6] faculty Criticism serves instead of Theory; but, according to the division of Philosophy (and also of pure Philosophy) into theoretical and practical, the Metaphysic of Nature and of Morals will complete the undertaking.
   Understanding and Reason exercise, therefore, two distinct legislations in regard to one and the same territory of experience, without prejudice to each other. The concept of freedom as little disturbs the legislation of nature, as the natural concept influences the legislation through the former.— The possibility of at least thinking without contradiction the co-existence of both legislations, and of the corresponding faculties in the same subject, has been shown in the Critique of pure Reason; for it annulled the objections on the other side by exposing the dialectical illusion which they contain.
III.: OF THE CRITIQUE OF JUDGEMENT AS A MEANS OF COMBINING THE TWO PARTS OF PHILOSOPHY INTO A WHOLE.
   The Critique of the cognitive faculties, as regards what they can furnish a priori, has properly speaking no realm in respect of Objects, because it is not a doctrine, but only has to investigate whether and how, in accordance with the state of these faculties, a doctrine is possible by their means. Its field extends to all their pretensions, in order to confine them within their legitimate bounds. But what cannot enter into the division of Philosophy may yet enter, as a chief part, into the Critique of the pure faculty of cognition in general, viz. if it contains principles which are available neither for theoretical nor for practical use.
   Although, then, Philosophy can be divided only into two main parts, the theoretical and the practical, and although all that we may be able to say of the special principles of Judgement must be counted as belonging in it to the theoretical part, i.e. to rational cognition in accordance with natural concepts; yet the Critique of pure Reason, which must decide all this, as regards the possibility of the system before undertaking it, consists of three parts; the Critique of pure Understanding, of pure Judgement, and of pure Reason, which faculties are called pure because they are legislative a priori.
   Thus the reason why judgements of taste according to their possibility are subjected to a Critique is that they presuppose a principle a priori, although this principle is neither one of cognition for the Understanding nor of practice for the Will, and therefore is not in any way determinant a priori.
   Susceptibility to pleasure from reflection upon the forms of things (of Nature as well as of Art), indicates not only a purposiveness of the Objects in relation to the reflective Judgement, conformably to the concept of nature in the subject; but also conversely a purposiveness of the subject in respect of the objects according to their form or even their Edition: current; Page: [35] formlessness, in virtue of the concept of freedom. Hence the aesthetical judgement is not only related as a judgement of taste to the beautiful, but also as springing from a spiritual feeling is related to the sublime; and thus the Critique of the aesthetical Judgement must be divided into two corresponding sections.
   On this is based the division of the Critique of Judgement into the Critique of aesthetical and of teleological Judgement. By the first we understand the faculty of judging of the formal purposiveness (otherwise called subjective) of Nature by means of the feeling of pleasure or pain; by the second the faculty of judging its real (objective) purposiveness by means of Understanding and Reason.
   In a Critique of Judgement the part containing the aesthetical Judgement is essential, because this alone Edition: current; Page: [37] contains a principle which the Judgement places quite a priori at the basis of its reflection upon nature; viz., the principle of a formal purposiveness of nature, according to its particular (empirical) laws, for our cognitive faculty, without which the Understanding could not find itself in nature. On the other hand no reason a priori could be specified,—and even the possibility of a reason would not be apparent from the concept of nature as an object of experience whether general or particular,—why there should be objective purposes of nature, i.e. things which are only possible as natural purposes; but the Judgement, without containing such a principle a priori in itself, in given cases (of certain products), in order to make use of the concept of purposes on behalf of Reason, would only contain the rule according to which that
   Critique. On the other hand, the aesthetical Judgement contributes nothing towards the knowledge of its objects, and thus must be reckoned as belonging to the criticism of the judging subject and its cognitive faculties, only so far as they are susceptible of a priori principles, of whatever other use (theoretical or practical) they may be. This is the propaedeutic of all Philosophy.
PART I: CRITIQUE OF THE AESTHETICAL JUDGEMENT
   The solution of this question is the key to the Critique of Taste, and so is worthy of all attention.
   If the given representation, which occasions the judgement of taste, were a concept uniting Understanding and Imagination in the judging of the object, into a cognition of the Object, the consciousness of this relation would be intellectual (as in the objective schematism of the Judgement of which the Critique1 treats). But then the judgement would not be laid down in reference to pleasure and pain, and consequently would not be a judgement of taste. But the judgement of taste, independently of concepts, determines the Object in respect of satisfaction and of the predicate of beauty. Therefore that subjective unity of relation can only make itself known by means of sensation. The excitement of both faculties (Imagination and Understanding) to indeterminate, but yet, through the stimulus of the given sensation, harmonious activity, viz. that which belongs to cognition in general, is the sensation whose universal communicability is postulated by the judgement of taste. An objective
   To establish a priori the connexion of the feeling of a pleasure or pain as an effect, with any representation whatever (sensation or concept) as its cause, is absolutely impossible; for that would be a [particular]1 causal relation which (with objects of experience) can always only be cognised a posteriori, and through the medium of experience itself. We actually have, indeed, in the Critique of practical Reason, derived from universal moral concepts a priori the feeling of respect (as a special and peculiar modification of feeling which will not strictly correspond either to the pleasure or the pain that we get from empirical objects). But there we could go beyond the bounds of experience and call in a causality which rested on a supersensible attribute of the subject, viz. freedom. And even there, properly speaking, it was not this feeling which we derived from the Idea of the moral as cause, but merely the determination of the will. But the state of mind which accompanies any
   Objective purposiveness is either external, i.e. the utility, or internal, i.e. the perfection of the object. That the satisfaction in an object, on account of which we call it beautiful, cannot rest on the representation of its utility, is sufficiently obvious from the two preceding sections; because in that case it would not be an immediate satisfaction in the object, which is the essential condition of a judgement about beauty. But objective internal purposiveness, i.e. perfection, comes nearer to the predicate of beauty; and it has been regarded by celebrated philosophers1 as the same as beauty, with the proviso, if it is thought in a confused way. It is of the greatest importance in a Critique of Taste to decide whether beauty can thus actually be resolved into the concept of perfection.
   I do not wish to speak as yet of the ground of this satisfaction, which is bound up with a representation from which we should least of all expect it, viz. a representation which lets us remark its inadequacy and consequently its subjective want of purposiveness for the Judgement in the estimation of magnitude. I only remark that if the aesthetical Edition: current; Page: [113] judgement is pure (i.e. mingled with no teleological judgement or judgement of Reason) and is to be given as a completely suitable example of the Critique of the aesthetical Judgement, we must not exhibit the sublime in products of art (e.g. buildings, pillars, etc.) where human purpose determines the form as well as the size; nor yet in things of nature the concepts of which bring with them a definite purpose (e.g. animals with a known natural destination); but in rude nature (and in this only in so far as it does not bring with it any charm or emotion produced by actual danger) merely as containing
   In this modality of aesthetical judgements, viz. in the necessity claimed for them, lies an important moment of the Critique of Judgement. For it enables us to recognise in them an a priori principle, and raises them out of empirical psychology, in which otherwise they would remain buried amongst the feelings of gratification and grief (only with the unmeaning addition of being called finer feelings). Thus it enables us too to place the Judgement among those faculties that have a priori principles at their basis, and so to bring it into Transcendental Philosophy.
   possible, and is an essential part of the Critique of Taste. For if it had not a priori principles, it could not possibly pass sentence on the judgements of others, and it could not approve or blame them with any appearance of right.
   But although critics can and ought to pursue Edition: current; Page: [160] their reasonings so that our judgements of taste may be corrected and extended, it is not with a view to set forth the determining ground of this kind of aesthetical judgements in a universally applicable formula, which is impossible; but rather to investigate the cognitive faculties and their exercise in these judgements, and to explain by examples the reciprocal subjective purposiveness, the form of which, as has been shown above, in a given representation, constitutes the beauty of the object. Therefore the Critique of Taste is only subjective as regards the representation through which an Object is given to us; viz. it is the art or science of reducing to rules the reciprocal relation between the Understanding and the Imagination in the given representation (without reference to any preceding sensation or concept). That is, it is the art or science of reducing to rules their accordance or discordance,
   and of determining them with regard to their conditions. it is an art, if it only shows this by examples; it is a science if it derives the possibility of such judgements from the nature of these faculties, as cognitive faculties in general. We have here, in Transcendental Criticism, only to do with the latter. It should develop and justify the subjective principle of taste, as an a priori principle of the Judgement. This Critique, as an art, merely seeks to apply, in the judging of objects, the physiological (here psychological), and therefore empirical rules, according to which taste actually proceeds (without taking any account of their possibility); and it criticises the products of beautiful art just as, regarded as a science, it criticises the faculty by which they are judged.
   The concept of an Object in general can immediately be combined with the perception of an object, containing its empirical predicates, so as to form a cognitive judgement; and it is thus that a judgement of experience is produced.1 At the basis of this lie a priori concepts of the synthetical unity of the manifold of intuition, by which the manifold is thought as the determination of an Object. These concepts (the Categories) require a Deduction, which is given in the Critique of pure Edition: current; Page: [163] Reason; and by it we can get the solution of the problem, how are synthetical a priori cognitive judgements possible? This problem concerns then the a priori principles of the pure Understanding and its theoretical judgements.
   It is easy to see that judgements of taste are synthetical, because they go beyond the concept and even beyond the intuition of the Object, and add to that intuition as predicate something that is not a cognition, viz. a feeling of pleasure (or pain). Although the predicate (of the personal pleasure bound up with the representation) is empirical, nevertheless, as concerns the required assent of every one the judgements are a priori, or desire to be regarded as such; and this is already involved in the expressions of this claim. Thus this problem of the Critique of Judgement belongs to the general problem of transcendental philosophy, how are synthetical a priori judgements possible?
   The following Maxims of common human Understanding do not properly come in here, as parts of the Critique of Taste; but yet they may serve to elucidate its fundamental propositions. They are: 1° to think for oneself; 2° to put ourselves in thought in the place of every one else; 3° always to think consistently. The first is the maxim of unprejudiced thought; the second of enlarged thought; the third of consecutive thought.1 The first is the maxim of a Reason never passive. The tendency to such passivity, and therefore to heteronomy of the Reason, is called prejudice; and the greatest prejudice of all is to represent nature as not subject to the rules that the Understanding places at its basis by means of its own essential law, i.e. is superstition. Deliverance from superstition is called enlightenment;2 because although this name belongs to deliverance from prejudices in general, yet superstition specially (in sensu eminenti) deserves to be called a prejudice. For the blindness
   There is no Science of the Beautiful, but only a Critique of it; and there is no such thing as beautiful Science, but only beautiful Art. For as regards the first point, if it could be decided scientifically, i.e. by proofs, whether a thing was to be regarded as beautiful or not, the judgement upon beauty would belong to science and would not be a judgement of taste. And as far as the second point is concerned, a science which should be beautiful as such is a nonentity. For if in such a science we were to ask for grounds and proofs, we would be put off with tasteful phrases (bonmots).— The source of the common expression, beautiful science, is without doubt nothing else than this, as it has been rightly remarked, that for beautiful art in its entire completeness much science is requisite; e.g. a knowledge of ancient languages, a learned familiarity with classical authors, history, a knowledge of antiquities, etc. And hence these historical sciences, because they form the
   A faculty of Judgement that is to be dialectical must in the first place be rationalising, i.e. its judgements must claim universality1 and that a priori; for it is in the opposition of such judgements that Dialectic consists. Hence the incompatibility of aesthetical judgements of Sense (about the pleasant and the unpleasant) is not dialectical. And again, the conflict between judgements of Taste, so far as each man depends merely on his own taste, forms no Dialectic of taste; because no one proposes to make his own judgement a universal rule. There remains therefore no other concept of a Dialectic which has to do with taste than that of a Dialectic of the Critique of taste (not of taste itself) in respect of its principles; for here concepts that contradict one another (as to the ground of the possibility of judgements of taste in general) naturally and unavoidably present themselves. The transcendental Edition: current; Page: [230] Critique of taste will therefore contain a part
   by the Critique in the solution of the antinomies of pure theoretical Reason. And thus here, as also in the Critique of practical Reason, the antinomies force us against our will to look beyond the sensible and to seek in the supersensible the point of union for all our a priori faculties; because no other expedient is left to make our Reason harmonious with itself.
   To begin with, we can either place the principle of taste in the fact that it always judges in accordance Edition: current; Page: [242] with grounds which are empirical and therefore are only given a posteriori by sense, or concede that it judges on a priori grounds. The former would be the empiricism of the Critique of Taste; the latter its rationalism. According to the former the Object of our satisfaction would not differ from the pleasant; according to the latter, if the judgement rests on definite concepts, it would not differ from the good. Thus all beauty would be banished from the world, and only a particular name, expressing perhaps a certain mingling of the two above-named kinds of satisfaction, would remain in its place. But we have shown that there are also a priori grounds of satisfaction which can subsist along with the principle of rationalism, although they cannot be comprehended in definite concepts.
   Just as the ideality of the objects of sense as phenomena is the only way of explaining the possibility of their forms being susceptible of a priori determination, so the idealism of purposiveness, in judging the beautiful in nature and art, is the only Edition: current; Page: [248] hypothesis under which Criticism can explain the possibility of a judgement of taste which demands a priori validity for every one (without grounding on concepts the purposiveness that is represented in the Object).
   The division of a Critique into Elementology and Methodology, as preparatory to science, is not applicable to the Critique of taste, because there neither is nor can be a science of the Beautiful, and the judgement of taste is not determinable by means of principles. As for the scientific element in every art, which regards truth in the presentation of its Object, this is indeed the indispensable condition (conditio sine qua non) of beautiful art, but not beautiful art itself. There is therefore for beautiful art only a manner (modus), not a method of teaching (methodus). The master must show what the pupil is to do and how he is to do it; and the universal rules, under which at last he brings his procedure, serve rather for bringing the main points back to his remembrance when occasion requires, than for prescribing them to him. Nevertheless regard must be had here to a certain ideal, which art must have before its eyes, although it cannot be completely attained in practice. It
   is only through exciting the Imagination of the pupil to accordance with a given concept, by making him note the inadequacy of the expression for the Idea, to which the concept itself does not attain because it is an aesthetical Idea, and by severe criticism, that he can be prevented from taking the examples set before him as types and models for imitation, to be subjected to no higher standard or independent judgement. Iit is thus that genius, and with it the freedom of the Imagination, is stifled by its very Edition: current; Page: [254] conformity to law; and without these no beautiful art, and not even an accurately judging individual taste, is possible.
PART II: CRITIQUE OF THE TELEOLOGICAL JUDGEMENT
   such in order to learn merely to cognise nature according to its empirical laws.— Between these necessary maxims of the reflective Judgement there may be a conflict and consequently an antinomy, upon which a Dialectic bases itself. If each of two conflicting maxims has its ground in the nature of the cognitive faculties, this may be called a natural Dialectic, and an unavoidable illusion which we must expose and resolve in our Critique, to the end that it may not deceive us.
   There emerges, therefore, a peculiarity of our (human) Understanding in respect of the Judgement in its reflection upon things of nature. But if this be so, the Idea of a possible Understanding different from the human must be fundamental here. (Just so in the Critique of Pure Reason we must have in our thoughts another possible [kind of] intuition, if ours is to be regarded as a particular species for which objects are only valid as phenomena.) And so we are able to say: Certain natural products, from the special constitution of our Understanding, must be considered by us, in regard to their possibility, as if produced designedly and as purposes. But we do not, therefore, demand that there should be actually given a particular cause which has the representation of a purpose as its determining ground; and we do not deny that an Understanding, different from (i.e. higher than) the human, might find the ground of the possibility of such products of nature in the mechanism of nature,
   But it appears to belong just as little to Natural Science, which needs determinant and not merely reflective principles in order to supply objective grounds for natural effects. In fact, nothing is gained for the theory of nature or the mechanical explanation of its phenomena by means of its effective causes, by considering them as connected according to the relation of purposes. The exhibition of the purposes of nature in its products, so far as they constitute a system according to teleological concepts, properly belongs only to a description of nature which is drawn up in accordance with a particular guiding thread. Here Reason, no doubt, accomplishes a noble work, instructive and practically purposive in many points of view; but it gives no information as to the origin and the inner possibility of these forms, which is the special business of theoretical Natural Science. Teleology, therefore, as science, belongs to no Doctrine, but only to Criticism; and to the criticism of a
   (1.) As to the logically accurate proof proceeding from universal to particular, we have sufficiently established in the Critique the following: Since no intuition possible for us corresponds to the concept of a Being that is to be sought beyond nature—whose concept therefore, so far as it is to be theoretically determined by synthetical predicates, remains always problematical for us—there is absolutely no cognition of it to be had (by which the extent of our theoretical knowledge is in the least enlarged). The particular concept of a supersensible Being cannot be subsumed under the universal principles of the nature of things, in order to conclude from them to it, because those principles are valid simply for nature, as an object of sense.
   If the question is, what rank the moral argument, which proves the Being of God only as a thing of faith for the practical pure Reason, maintains among the other arguments in philosophy, it is easy to set aside the whole achievement of this last; by which it appears that there is no choice, but that our theoretical faculty must give up all its pretensions before an impartial criticism.
   If it be asked why it is incumbent upon us to have any Theology at all, it appears clear that it is not needed for the extension or correction of our cognition of nature or in general for any theory, but simply in a subjective point of view for Religion, i.e. the practical or moral use of our Reason. If it is found that the only argument which leads to a definite concept of the object of Theology is itself moral, it is not only not strange, but we miss nothing in respect of its final purpose as regards Edition: current; Page: [425] the sufficiency of belief from this ground of proof, provided that it be admitted that such an argument only establishes the Being of God sufficiently for our moral destination, i.e. in a practical point of view, and that here speculation neither shows its strength in any way, nor extends by means of it the sphere of its domain. Our surprise and the alleged contradiction between the possibility of a Theology asserted here and that which the Critique of
   speculative Reason said of the Categories—viz. that they can only produce knowledge when applied to objects of sense, but in no way when applied to the supersensible—vanish, if we see that they are here used for a cognition of God not in a theoretical point of view (in accordance with what His own nature, inscrutable to us, may be) but simply in a practical.— In order then at this opportunity to make an end of the misinterpretation of that very necessary doctrine of the Critique, which, to the chagrin of the blind dogmatist, refers Reason to its bounds, I add here the following elucidation.
   Dr. Caird (Critical Philosophy of Kant, vol. ii. p. 406) has given an instructive account of the gradual development in Kant’s mind of the main idea of the Critique of Judgement.
   Critique of Pure Reason. Dialectic, Bk. ii. chap. i. near the end.
   Cf. Kuno Fischer, A Critique of Kant, p. 142.
   Quoted by Caird, Critical Philosophy of Kant, vol. ii. p. 507, who reiterates this criticism all through his account of Kant’s teaching.
   If we have cause for supposing that concepts which we use as empirical principles stand in relationship with the pure cognitive faculty a priori, it is profitable, because of this reference, to seek for them a transcendental definition; i.e. a definition through pure categories, so far as these by themselves adequately furnish the distinction of the concept in question from others. We here follow the example of the mathematician who leaves undetermined the empirical data of his problem, and only brings their relation in their pure synthesis under the concepts of pure Arithmetic, and thus generalises the solution. Objection has been brought against a similar procedure of mine (cf. the Preface to the Critique of Practical Reason, Abbott’s Translation, p. 94), and my definition of the faculty of desire has been found fault with, viz. that it is [the being’s] faculty of becoming by means of its representations the cause of the actuality of the objects of these representations; for
   [I.e. The Critique of Pure Reason, Analytic, bk. ii. c. i.]
   [This distinction between an Idea and an Ideal, as also the further contrast between Ideals of the Reason and Ideals of the Imagination, had already been given by Kant in the Critique of Pure Reason, Dialectic, bk. ii. c. iii. § 1.]
   [With this should be compared the similar discussion in the Critique of Pure Reason, Dialectic, bk. ii. c. ii. § 1, On the System of Cosmological Ideas.]
   [Cf. Critique of Pure Reason, Methodology, c. 1, § 1. “The construction of a concept is the a priori presentation of the corresponding intuition.”]
   [This distinction will be familiar to the student of the Critique of Pure Reason. See Dialectic, bk. i., Of the Concepts of Pure Reason.]
   [Cf. Introd. to Logic, p. 76, where the conditions of a legitimate hypothesis are laid down. See also Critique of Pure Reason, Methodology, c. i. § 3.]
   [This illustration is also given in the Logic (p. 57); where the three modi of belief, Opinion, Faith, and Knowledge, are distinguished from each other. Cf. Critique of Pure Reason, Methodology, c. ii. § 3.]
   [The speculations of Swedenborg seem to have always had a strange fascination for Kant. He says of two reported cases of Swedenborg’s clairvoyance that he knows not how to disprove them (Rosenkranz vii. 5); but in his Anthropology §§ 35, 37, he attacks Swedenborgianism as folly. So in an early essay, Dreams of a Visionary explained by Dreams of Metaphysics, he avows his scepticism as to the value of the information which “psychical research” can supply about the spirit-world, though he is careful not to commit himself to any dogmatic statement on the subject of ghosts. In the Critique of Pure Reason (when discussing the Postulates of Empirical Thought) he gives, as an instance of a concept inconsistent with the canons of possibility, “a power of being in a community of thought with other men, however distant from us.”]
   [In the Critique of Pure Reason, Dialectic, bk. II. c. iii. §§ 4, 5.]
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